글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
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The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,--a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The present participle can only be used to a limited extent, on account of its weak termination, and the want of an accusative form to the noun also restricts the arrangement of words in English verse.
The prose translator should certainly be able to feel the manifestation of this law in both languages, and should so choose his words as to meet their reciprocal requirements. Hayward's prose translation. Where all the restraints of verse are flung aside, we should expect, at least, as accurate a reproduction of the sense, spirit, and tone of the original, as the genius of our language will permit. Poetry, indeed, may be distinguished from Prose by the single circumstance, that it is the utterance of whatever in man cannot be perfectly uttered in any other than a rhythmical form: it is useless to say that the naked meaning is independent of the form: on the contrary, the form contributes essentially to the fullness of the meaning. The English language, though not so rich as the German in such rhymes, is less deficient than is generally supposed. The difficulty to be overcome is one of construction rather than of the vocabulary. He shall not leave the spot alive.
Given that most of the people do not have sufficient blood to have interaction in intense exercise by using a full abdomen, your body will rebel in the beginning by producing you are feeling awful, but This can be an envisioned response. I wish the group to feel itself very well treated, Particularly since it lives and lets me Dwell; The posts are set, the booth of boards accomplished. Ye crowd additional near! My very own endeavor has been cheered by the invention, the a lot more closely I reproduced the language of the original, the greater of its rhythmical character was transferred simultaneously. I sense impelled, its indicating to find out,-- With truthful objective, as soon as for all, The hallowed Original To alter to my beloved German. Nicely-made you are, 'tis to not be denied, The rest a Daring address will earn you; In the event you but in you confide, Simultaneously confide all Other people in you. So, all which you as Sin have rated,-- Destruction,--aught with Evil blent,-- That is definitely my proper factor. Hayward's solely omits the component of poetry.
Hayward's ear did not dictate to him the requirement of preserving the initial rhythm. I honor him with the affected person and conscientious labor he has bestowed upon his translation,--I cannot but feel that he has himself illustrated the unsoundness of his argument. Poetry isn't basically a style of expression: it's the form of expression Certainly essential by a specific course of Tips. The English ear is suspicious of latest metres and unaccustomed varieties of expression: you can find critical detectives within the observe of each writer, in addition to a violation of the accepted canons is accompanied by a summons to judgment. In Poetry which endures via its very own inherent vitality, there is not any compelled union of these two aspects. The author's believed is stripped of A final grace in passing through his mind, and frequently offers greatly precisely the same resemblance to the original being an unhewn shaft on the fluted column.
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